![]() Even the midnight viewing of Rocky Horror is no longer an event restricted to misfits and non-comformists instead it has almost become a teenage rite of passage. ![]() ![]() The 1990s produced the popular TV shows Buffy, The X-Files, and Charmed, now often held up as camp artifacts, as well as the Austin Powers and Scream franchises, which were at the forefront of a growing trend toward intentional camp. Sontag continued on to write that “Camp sees everything in quotation marks.” As a culture whose prevailing sensibility is epitomized by the air quote, we have embraced camp so heartily that what started off as a symbol of the counterculture has fully permeated the mainstream. The little rocks dig into my skin like arrowheads. A pause, a road, the taste of gravel in the mouth. According to Susan Sontag’s classic essay “Notes on Camp” (1964), “The essence of Camp is its love of the unnatural: of artifice and exaggeration.” Given this definition, one might say that camp’s natural habitat is the stage (or, today, the cinema)-for the theater, as a space in which men costume and disguise their true selves to enact fictions before a complicit audience, has long been associated with duplicity and histrionics. There is no way to make this story interesting.
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